While searching for other stuff I came across this paper – the first academic paper I ever wrote and presented – which I gave at the Uncanny Landscapes conference in London in March 2013. It seems like the right time of year, so I thought I’d let it out in to the light… Unknown Soldiers: Building Bodies in(to) the City Abstract On 11th November 1920, … Continue reading Unknown Soldiers: Building Bodies in(to) the City
My article A Critique of Linguistic Capitalism: provocation/intervention has now been published online first in GeoHumanities : https://www.tandfonline.com/doi/abs/10.1080/2373566X.2018.1486724 There were 50 free eprints available at https://www.tandfonline.com/eprint/9Nm9BBmHdwdFYRxjqejh/full, but for anyone without institutional access, the accepted manuscript is attached below (as per Taylor and Francis guidelines). I can share the published PDF privately on request. A_Critique_of_Linguistic_Capitalism_GEOHUMS_final_PT_edit_JC2_PT_73 A critique of linguistic capitalism: provocation/intervention Abstract Language has always been … Continue reading New GeoHumanities article – A Critique of Linguistic Capitalism: provocation/intervention
I have a new short piece about the value of language in the digital economy out in APRJA Research Values, ed. by Christian Ulrik Andersen & Geoff Cox. I use {poem}.py (my artistic intervention into Linguistic Capitalism & Google AdWords), to re-work Christian and Geoff’s introduction 3 ways: http://www.aprja.net/language-redux/ This issue is the result of the Research Values workshop at the Brandenburg Center for Media … Continue reading Language Redux
Geographies of (con)text: language and structure in a digital age is an article I published last year (2017) in Computational Culture: a journal of software studies. It began life as an AAG paper called The Production of Context and Digital Reproduction of Language, presented in one of the Geographies of Software sessions organised by Nick Lally and Ryan Burns in 2016. The article talks about … Continue reading geographies of (con)text: language and structure in a digital age
I haven’t always written about algorithms and digital capitalism, but I have previously used poetry as a lens through which to expose the politics and asymmetries of technology and space. The Meaning of Light: Seeing and Being on the Battlefield (cultural geographies Vol: 22 issue: 4) is a paper I published in 2015 based on my experiences as a reservist soldier in Iraq in 2003. … Continue reading The Meaning of Light: Seeing and Being on the Battlefield
£58318.14 to be precise. In theory anyway… to Google. I’ve been playing around with running longer texts through {poem}.py and eventually managed to process (and price) the whole of George Orwell’s Nineteen Eighty-Four. I use the idea of Newspeak in my critique of Google’s monetisation of language, so I thought it made sense to use the book for this particular experiment. The book took 7 … Continue reading What is Orwell’s 1984 really worth?
I am very excited to be a part of this event at Mile End Arts Pavilion in London next month. I will be displaying my {poem}.py project at the exhibition (3-8th Sept), and also giving an artist’s talk at the symposium on the 8th September. The exhibition also features computer artist Will Hurt and designer Yosuke Ushigome. From the website: Following the rise of unprecedented… Continue reading Politics and ethics in media & art technology | Exhibition & Symposium 3-8th Sept Mile End Arts Pavilion
