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Thursday May 11
| 0930 – 1000 | Registration and Light Breakfast |
| 1000 – 1030 | Introduction to Symposium by Pip Thornton, Andrew Dwyer, and Martin Disley |
| 1030 – 1145 | Keynote by Lawrence Abu Hamdan | The voice before the law |
| 1145 – 1230 | Film Screening & Discussion led by Martin Disley | Not I: The Voice, Identity and the Epistemic Mirage of Machine Learning (Credit: Unit Test) |
| 1230 – 1330 | Lunch |
| 1330 – 1400 | Commissioned Artist Talk by Agnes Cameron | Conversational Agency |
| 1400 – 1430 | Commissioned Artist Talk by Theodore Koterwas | The Unreasonable Expressiveness of Empathetic Artificial Mimicry |
| 1430 – 1515 | Break & Refreshments with Demonstrations from Agnes Cameron and Theodore Koterwas |
| 1515 – 1545 | Performance by Machine Listening | After Words |
| 1545 – 1630 | Commissioned Artist Talk and Performance by Claire Tolan | SYBIL (WHISPERS TO EVE) ECHO AT NOON! + LULZ NOON |
| 1630 – 1715 | Performance by Wesley Goatley | Newly Forgotten Technologies: Five Echoes |
| 1715 – | Drinks Reception |
Friday 12 May
| 0930 – 1000 | Light Refreshments |
| 1000 – 1100 | Keynote by Wesley Goatley | Voices of the Underworld: Critical Art and the Myths of Machines |
| 1100 – 1130 | Talk by Michael Flexer & Philip Symes | We Big Brother: power, language, technology and voice hearing |
| 1130 – 1200 | Paper by Francesco Bentivegna | Relational AI Voices: A Taxonomy for the Future of Performance Studies |
| 1200 – 1230 | Talk & Interactive Exhibit by Ahnjili Zhuparris | Repurposing Surveillance + Babble-on |
| 1230 – 1330 | Lunch |
| 1330 – 1500 | Talk & Workshop by Amina Abbas-Nazari | DIY voice modification |
| 1500 – 1530 | Break & Refreshments |
| 1530 – 1600 | Paper by Jane Frances Dunlop | Multivocal Theatricalities: Articulating Data in Composites, Choruses, Crowds |
| 1600 – 1700 | Keynote by Rachel Maclean | If it looks like a duck: Using deepfake to question identities and subvert reality |
| 1700 – 1715 | Close by Pip Thornton |